“If you play the albums chronologically they cover the growth of us as people from here to there, and in there is a tale for everybody in case they want to know what they can do to survive the scenes. If you line the songs up and play them, you should be able to relate and not feel alone - I think it’s important that people don’t feel alone.”

Lou Reed on the Velvet Underground

It keeps floating in and out of the interwebs but the 1998 documentary on Lou Reed entitled Rock and Roll Heart is well worth watching if you haven't (or have!) already. Informative, rich in archival footage, and comparatively concise given the breadth and general eclectic weirdness of old Lou's career. And late last year, in commemoration of Reed's death, the BBC screened a new documentary Lou Reed Remembered largely comprising a montage of clips featuring many of the musician's former collaborators, friends, and those he influenced, including: Paul Auster, Lenny Kaye, Moe Tucker, Boy George, Holly Woodlawn, Mick Rock, Bob Ezrin, and Thurston Moore.

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AuthorMartinPatrick

Two videos featuring Lou Reed, one of them an interview recorded shortly before his death last year, and the other a 1983 performance with, to my mind, his greatest post-Velvet Underground band, Fernando Saunders (bass), Robert Quine (guitar), and Fred Maher (drums) who backed Reed in support of the amazing album The Blue Mask. Here is the dark and moving Waves of Fear with a totally deranged guitar solo by Quine. The mellifluous bass of Saunders acts as counterpoint but doesn't remove the edgy feel they cultivated at their peak. Quine and Reed had infamously tense relations, but were a terrific guitar duo.

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AuthorMartinPatrick