Having been a longtime fan of Alex Chilton, I fell into a deep dark hole in between any official activities reading the exhaustively researched new LX bio A Man Called Destruction by Holly George- Warren. Chilton would be a rather daunting subject for any biographer due to his rambling, idiosyncratic career and sharp turns in musical orientation. Given all that, the author (who was well acquainted with Chilton for some years) offers a sometimes harrowing but detailed tribute to an artist who didn’t always know what was best for him, perhaps, but created a wealth of his own music (Big Star and various solo permutations) and produced heaps of other fine projects (The Cramps, Tav Falco’s Panther Burns, and many more). Chilton was a pop star of sorts crooning soul with an affective, mature voice as a teenager with the Box Tops (The Letter, Cry like a Baby) recorded three LPs with the innovative pop band Big Star, and then travelled a winding road of treacherous anti-fame and fortune, in that commercial potential mattered not at all to him in comparison to lively, spontaneous improvisational music that drew from eclectic sources: rock and roll, r and b, blues, country, folk, jazz, classical, noise. Chilton died suddenly of a heart attack in 2010 at the age of 59 in his adopted home of New Orleans, and this feels no less jarring as George-Warren’s account comes to a close. The book dishes out plenty of dissolute rock and roll gossipy anecdotes along the way but is delivered in a measured, readable prose that generally avoids hagiography and rounds out the too often flattened portrayals of this very complex character. I have my own biases, having seen Chilton perform, loving his records for decades, but also thinking a lot about the kind of rather perverse decisions he made in the name of “artistic independence.” But if you are at all interested in one of the most fascinating figures of rock and roll and alternative music, do check out this book, and if you don’t know his music some beautiful stuff (and totally wild shit) awaits you. (You can read an excerpt of the biography here.)
William Eggleston's black and white video Stranded in Canton which draws upon his tapes made in Memphis, Tennessee in the early 1970s is currently on view as part of the exhibition entitled South of no North: Laurence Aberhart, William Eggleston, Noel McKenna at the Wellington City Gallery through March 9. The show travelled here from the Museum of Contemporary Art Australia. I will be reviewing it very soon but wanted to recommend this vibrant and interesting show. Stranded in Canton features a lot of important musicians including the blues singer Furry Lewis, record producer Jim Dickinson, and Alex Chilton, who was finished with the cult band Big Star and in the midst of his so-called "lost decade" by then. Here he sings "My Rival," which was one of the songs on the chaotic, weird, and wonderful Like Flies on Sherbert LP.